Marie-Claude Chappuis, won 2 Grammy Nominations. She sings regularly under the baton of famous conductors such as Riccardo Chailly, Daniel Harding, Emmanuelle Haïm, René Jacobs, Zubin Mehta, Riccardo Muti, Jonathan Nott and Christophe Rousset to name but a few. The milestones of her career so far included Idomeneo (Idamante) staged and conducted by Nikolaus Harnoncourt in Graz and Zurich, Paisiello’s Il Matrimonio Inaspettato (Contessa) under Riccardo Muti at Salzburg Festival, La Damnation de Faust (Marguerite) under Sir Roger Norrington in Leipzig and L’incoronazione di Poppea (Ottavia) at the Berlin State Opera and at the Brussels La Monnaie, to mention at least one of her numerous collaborations with René Jacobs. She is also a guest at the Maggio Fiorentino, the Theater an der Wien, the Opernhaus Zurich, the Théâtre des Champs-Elysées in Paris, the Teatro alla Scala, the Teatro Real in Madrid and the Grand Théâtre de Genève.
She is coequally active on concert-stage having recently sung with the Gewandhaus Orchestra Leipzig, the Orchestre de la Suisse Romande, the Giardino Armonico, the London Philharmonic Orchestra and the Wiener Philharmoniker. Her manifold discography includes Bach’s St. Matthew’s Passion with Riccardo Chailly (Decca), La Clemenza di Tito (Annio) with René Jacobs (released by Harmonia Mundi and nominated for a Grammy Award), Telemann’s Brockes-Passion and Mozart’s Requiem with the Freiburg Baroque Orchestra and René Jacobs (Harmonia Mundi 2017), Beethoven’s Ninth Symphony conducted by Giovanni Antonini (Sony 2018) as well as solo-albums with the lutenist Luca Pianca (“Sous l’empire d’Amour” – Deutsche Harmonia Mundi 2017) and folksongs from Switzerland (”Au coeur des Alpes“ – Sony Classical 2018). Just released: J.S. Bach’s h-minor Mass with the Akademie für alte Musik Berlin, the RIAS Kammerchor and René Jacobs (Harmonia Mundi) as well as Les Fables de La Fontaine with La Chapelle Harmonique (B-Records).